The Best Horror Jump Scares That Got Me Good

I love horror films/shows, and have been watching horror for 30 odd years, and I am sure many will say I am a wuss, but these jump scare attempts got me good when I first watched them.

Go on, make fun of me.

Lets start with the very best jump scare that got me good, before moving on to some others.

The Exorcist III (1990) – The Hospital Hallway

A long, static shot lulls you into full complacency, and then out of nowhere, a nurse and a pair of shears nearly kill your soul. Expertly done.

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The Conjuring (2013) – Clap Clap

Hide-and-clap goes from “wholesome mom stuff” to “paranormal nightmare” in a heartbeat. A true exercise in negative space and sound design.

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Insidious (2010) – Darth Maul Demon Reveal

Patrick Wilson is just having a nice conversation, and out of nowhere, a face demon. It’ isn’t that subtle, but it works. Well, it worked on me.

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Jaws (1975) – Head in the Boat

You’re watching for sharks, but Spielberg decides to throw a decomposing face at you. Like a thesis on misdirection in horror, but with 1970s prosthetics.

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Sinister (2012) – Lawn Mower

Ethan Hawke finds some cursed home videos and watches them. One of them starts with calm footage of lawn care…

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The Descent (2005) – Night Vision

Claustrophobia is already doing 80% of the work in this film, with the last 20% being a pale humanoid nightmare shrieking in night vision.

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It (2017) – Projector Scene

Pennywise hacks a slideshow like some sort of demonic TED Talk, then grows to Kaiju size and lunges out of the frame. Absolutely no reason this needed to go that hard, right?

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What Lies Beneath (2000) – Bathtub Ghost

This is a scream therapy moment that Robert Zemeckis had no business pulling off this well.

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Lake Mungo (2008) – Phone Footage

An underrated gem with slow dread throughout, but when you see what’s in that still photo… it’s pure “rewind and pause and stare and regret” energy.

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The Haunting of Hill House (2018) – Car Scene

You’re watching two sisters argue, and then trauma jumps into the car window. Mike Flanagan weaponizes emotional vulnerability.

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It Follows (2014) – Giant Man at the Door

This film plays quite slow and eerie for most of its runtime, and then suddenly throws a 7-foot man with dead eyes straight at you.

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