I went in prepared to hate this thing, or at least feel absolutely nothing. It stumbles a little at times, and it won’t please everyone. But Superman 2025 is just fun and well-made.
Category: Film Reviews
Griff the Invisble is one of those small indie movies that sneaks under your radar and leaves a gentle impression.
Hide and Go Shriek isn’t a good movie by any traditional standard. But there’s a weird charm to it, too.
This isn’t just a new chapter for Superman, it’s a heartfelt revival. Gunn reminds us why the character matters and dares us to believe again.
Lost in Starlight is a calm, sincere little sci-fi love story that respects its characters and the audience. It’s not perfect, but it’s got a kind of gentle honesty I didn’t know I missed until now.
Jurrasic World: Rebirth is not smart, it’s not groundbreaking, but it’s a damn sight better than watching Chris Pratt do his raptor hand thing again.
If you’re tired of glossy horror movies with PG-13 tension, cheap jump scares, and cheesy CGI, When Evil Lurks will remind you what fear actually feels like.
The Life of Chuck is like one of those films you watch when you’re already thinking about your childhood, or your own mortality. It might frustrate you, but it might also break your heart in a good way.
Freaky Tales doesn’t pretend to be high art, and it doesn’t need to be. It’s a rowdy, stylish, and sometimes goofy celebration of rebellion, music, and standing up to assholes.
The Battery isn’t your typical zombie film. It’s a story about survival, friendship, and hope in a world gone sideways.
Kapkapiii isn’t a film you analyze too much. It’s a film you watch when you don’t want to think, and just want some cheap and stupid comedy that raises a chuckle now and again.
Predator: Killer of Killers is smart without being smug, brutal without being empty, and surprisingly emotional for a franchise that once featured a handshake with the force of a small earthquake.
Thunderbolts is exactly the kind of Marvel movie I’ve been waiting for since Endgame. It’s honest about the state of the MCU, takes risks by focusing on flawed characters, and manages to be both funny and emotionally engaging.
I went into watching Until Dawn with hope. Not high hopes, mind you. Just regular, middle-of-the-road hopes – the kind of hope you reserve for a video game movie that might actually be fun, if not necessarily good.
And for about ten minutes, I was fine….
Fear Street: Prom Queen is a film that feels like it’s borrowing heavily from other 80s teen horror staples without really bringing its own voice.
If you love the original Lilo & Stitch or have kids who adore the character, you’ll find plenty to enjoy here. It’s heartfelt, funny, and a visually appealing film.
This is a movie for viewers who don’t mind horror that’s more about feelings than fear, and more about what’s inside your head than what jumps out at you from the shadows.
This film is for fans who want closure, big spectacles, and a touch of philosophy. It’s a film that tries really hard, and that effort shows.
The Moogai is more than just a horror movie. It’s an important story about intergenerational trauma, identity, and how history lingers in the most personal parts of our lives. But as a horror film, it stumbles.
Bring Her Back is not perfect, but it’s bold, weird, and it’ll probably haunt me longer than most “better” horror films. And in a genre that spits out forgettable jump-scare-fests like clockwork, that’s saying something.